best prokofiev symphonies

No. Morris's Guide to C20th Composers, Pot The Best of Prokofiev Classical Music11 162K subscribers Subscribe 2.4M views 8 years ago The Best of Sergei Sergeyevich Prokofiev (23 April 1891 -- 5 March 1953) Prokofiev is regarded as. About Mark Allen Group To find out, we asked 151 of todays leading conductors to name the three symphonies they consider to be the greatest. Symphony No. 16 . The Soviets were pushing back the Nazis from their borders, and the US and British Allies had landed on the beaches of Normandy in June. Recommended recording: Vienna Philharmonic/Carlos Kleiber DG 447 4002, All of nature and human existence in Mahlers most ambitious symphony. Listening itself is an art, and when, as a music journalist or critic, you set out to interview performing musicians about repertoire or about other performers, you will very quickly be shown the door if your own musical intuition is found wanting. Get tickets and more info athoustonsymphony.org. Prokofievs Symphony No. But their sets run to one or two more discs each. 100 Waltz Suite op. I haven't commented much about the orchestral playing in this set. But my true friends will see that the style of my symphony is precisely Mozartian classicism and will value it accordingly, while the public will no doubt just be content to hear happy and uncomplicated music which it will, of course, applaud. On that account he was exactly right; with its impish sense of humor, impeccable craftsmanship and charming melodies, the symphony was a breath of fresh air, and it has remained one of the composers most popular works. Granted it is marked largo and the slower tempo of the others would seem more appropriate to this designation. Many of the worlds great myths tell of a hero/heroine who strives, fails, dies and then miraculously returns. The second movement is utterly delightful, as the conductor evokes the spirit of ballet with terrific woodwinds, brass, and percussion. Recommended recording: London Philharmonic Orchestra/Marin Alsop Naxos 8.570233, Symphonic form disturbed, distorted and finally renewed and redeemed. 34; Symphony No. Deccas welcome reprisal of these Prokofiev symphonies comes amid a general dearth of finely recorded versions of the Sixth (considered the composers greatest but certainly not most popular) and Seventh. Musically I also took an important decision: to do without a piano, he wrote. The melodies conflict with each other, becoming increasingly tumultuous. The ending of the movement is exciting with an accelerated, but not rushed, tempo. Walt Disney himself tried to lure Prokofiev back to the West with a lucrative Hollywood contract, but Prokofievs two young sons were already in Moscow and there was no way he could accept. Listening Studio. It casts a long shadow had it never been written we would surely have far more symphonies to talk about. Of course not. But Abbado places the emotional climax of the work at the tragic lament after the battle. This site uses cookies. Slatkin and Gergiev are more successful than Inkinen, whose last notes are smudged. By entering your details, you are agreeing to our terms and conditions and privacy policy. Sergei Prokofiev - Symphony No. His narration, ideally balanced against the orchestra, bears repeated listening. The Third Symphony comes across as driven and menacing, with even the lyrical themes in the first movement sounding tortured and darker than usual. Beethovens Seventh is a restless beast, full of driving, unnerving energy less about melody, more about rhythm and orchestration. Had audiences in 1824 heard anything more elemental than Beethoven's Ninths opening bars? Young Sergei composed his first piano piece at five and his first opera aged nine. But would you give up Beethoven Nine for a chance to hear them? Music that stirs, challenges and delights, a sense of vibrant musical form which ensures coherence yet remains elastic enough to admit the most acute human drama surely thats enough? This set of Prokofiev symphonies was reissued on CD by Melodiya in 2011 but was apparently withdrawn a short time later. May 1993, Severance Hall, Cleveland, USA I reviewed Marin Alsops performance with the So Paulo Symphony (Naxos) and in general preferred it to Gergievs largely due to the sound on the latters recording (review). After the Russian Revolution of 1917, Prokofiev fled the chaos in his native land, immigrating to the West. | Thanks to that, the Ninth today still has a growing cultural significance. Register now to continue reading Thank you for visiting Gramophone and making use of our archive of more than 50,000 expert reviews, features, awards and blog articles. 3: Prokofiev at the piano, with the LSO under Piero Coppola, recorded for HMV in June 1932, a recording which shows off the composer's powers as soloist in his own music at their phenomenal best. 25 ("Classical"); Autumnal Op. Recommended recording: Orchestra of the Age of Enlightenment/Charles Mackerras Signum SIGCD254, A trailblazing, mammoth masterpiece, glorifying the life of a great heroic figure. Many of the audience at its premiere were reduced to tears by this movement, and the work received a half-hour standing ovation. A contrasting middle sectionappears with a more lyrical melody in the woodwinds. From the off Ashkenazy has the advantage of the Cleveland Orchestra. It was a pioneering effort in its day as it was the first complete set of Prokofiev symphonies to be issued. The 15 most famous tunes in classical music The 15 greatest symphonies of all time The 4 eras of classical music: a quick guide . Highlights in the first movement are the brass (especially the horns and trumpets), vivid percussion (including the woodblock and bass drum), and the solo bassoon. Best of all is the forest with its fresh young leaves. 1 (Prokofiev) Symphony No. Perhaps, but it is great fun all the same. For example, Hilary Hahn opting for Jascha Heifetzs earlier, pre-war recordings of Saint-Sans and Sarasate showpieces rather than his more pungent, post-war versions. 111 (1947) Symphony #7 in C Sharp minor, Op. 44 (1928) Symphony #4 in C Major, Op. I recently got into Prokofiev, and need recommendations for recordings of his symphonies to listen to. And it was a stroke of genius to place the slow movement not second but third, enabling its climactic profundity something Gustav Mahler learnt from. The finale, as it starts, is very fast, quite exhilarating, with orchestral virtuosity on display. The opening melodythen returnsin the cellos and double basses as these melodies are fragmented, recombined, and made to interact with each other. Sergue Sergueevitch Prokofiev / (1891-1953)*Click to activate the English subtitles for the presentation* (00:00-04:25)Symphony . But which of the thousands of symphonies written over the centuries is the greatest? As a valuable cultural propaganda tool, Prokofievs star was on the rise: in 1943 he was even awarded the Stalin Prize (Second Class) for hisPiano Sonata No. Particularly outstanding in this finale are the Clevelanders horn and bassoon playing. The solo clarinet then launches intoa quick, vivacious theme. 10; 20; 30; 40; View: . Gramophone is brought to you by Mark Allen Group the Old and New World The Cleveland Orchestra/Vladimir Ashkenazy 1 - 7. 2 (Prokofiev) Symphony No. 47 version of the Fourth is better than the Op. Gramophone is part of Bruckner pays homage to his hero, Richard Wagner, in a work of great hope and light. The third movement is a slow and deeply felt meditation. Well recorded, Neeme Jrvi is a routine rather than inspired partner. Throughout, Prokofiev wittily juxtaposes his own daring musical language with typical melodic turns and gestures from Mozarts time. Thesudden surgesto the highest notes of the violins are particularly expressive. He toured the United States and ultimately settled in Paris, but became increasingly frustrated with the lack of progress he felt he was making with his career as a composer. Brahmss Fourth baffled even his friends: sombre, austere with a Baroque passacaglia it appeared willfully unfashionable. In general Rozhdestvensky employs brisk tempos throughout the set and makes no attempt to sugarcoat the harsher elements in Prokofiev's often acerbic scoring. While I found much in that account to like, I did not prefer it to several others. From the yearning opening cello melody to the dramatic hunting horn motif that begins the third movement, the Seventh is full of striking moments, none more so than the brilliant finale, in which shimmering strings and heroic horns surge upwards to a euphoric close. 5 in B-flat major Op. In sum, you might say his way with the Prokofiev symphonies is robust, vigorous and quite potent. Alternating with contrasting episodes, this melody returns twice with varied harmonies and accompaniments. Symphony No. Leslie Wright, Click to see New Releases 25 ("Classical"); Autumnal Op. Such hype normally puts my back up. Haydn used the symphony as a vehicle of emotion, which intensified when Beethoven took on the symphony. I especially love his Sonata for Two Violins in C, and the Violin Concerto No.2 in G Minor. The fillers include the composers early mysterious Autumnal fragment and an idiomatic reading of the chamber version of Overture to Hebrew Themes, both incidental and somewhat out of place among these symphonic monuments. This closely mirrored the processes of debate and interaction used in human communication, and it struck a chord deep in audiences. But on this occasion Ill happily endorse it. Slatkin is nearly as good, though his strings do not sound as full as Ashkenazys; Gergiev is also terrific, but let down a bit by the dry and congested Barbican recording; and Inkinen is not quite at the same level of execution and with tempos not as steady. Absolute Ensemble; Lower Austria Tonknstler Orch / Kristjan Jrvi, A thrilling account of Bernsteins rediscovered Mass, Fascinating rhythm in two iconic American scores, Sols incl Marilyn Horne; Met Op, New York / Leonard Bernstein, Carmen, Bernstein-style: swaggering, charismatic, Harnoncourts Brahms is idiomatic, though theres plenty of fascinating musical exploration, The legendary Russian maestro does Brahms, Power and elegance go hand in hand with Giulinis Brahms, with the VPO on terrific form, Incandescent, elemental playing from the Berliners under Furtwngler, The great partnership of the Vienna Phil and Giulini caught at its finest, For many the Haydn Variations are the jewel here, richly characterised, superbly varied, Julius Katchen pf LSO / Pierre Monteux; Jnos Ferencsik, Awesome virtuosity and highly sensitive playing, Soloist and conductor at their peaks, an old favourite, Old-school conductor meets brilliant young soloist, David Oistrakh vn Cleveland Orch / George Szell, The king of violinists on scintillating form, Wolfgang Schneiderhan vn Jnos Starker vc Berlin RSO / Ferenc Fricsay, Rubinstein the veteran joins the young Guarneris, Heifetz as ever is technically brilliant but wonderfully songful here, too, Revelations pour over each other from one of the great Brahmsians of our day, Charlotte Margiono sop Rodney Gilfry bar Monteverdi Choir; ORR / John Eliot Gardiner, Elizabeth Schwarzkopf sop Dietrich Fischer-Dieskau bar Philh Chorus; Philh Orch / Otto Klemperer, Juggernaut power in Klemperers famous recording, The third quartet here was written for these players, and they play superbly, Sols incl Jon Vickers; Royal Opera / Colin Davis, Britten hated Vickerss Grimes, thousands loved it, Highly charged, romantically intense Bruckner, Jochums Eighth is his weak point but Karajans radiates warmth and splendour, Vivid performances of this rarely heard masterwork, Amazing playing and bold insights go hand in hand with Pletnev, Scintillating expressiveness in a recording that is part of gramophone history, Theres mystery as well as clarity in Boulezs La mer recordings, Theres a compelling intensity of character to these dazzling performances, De los Angeles caught in Debussy and Faur, Pellas meets Wagners Tristan in this controversial (to some, overheated) reading, Tortelier commands the demands of Dutilleux, By turns explosive and searchingly lyrical, Kertszs is the classic Dvok set, Neumanns rival to Kertsz features terrific playing, Georgeously lyrical and integrated playing from the Beaux Arts Trio, Restless, probing interpretations in the composers knowing hands, Essential for Elgarians, two inspired performances, Monteuxs famous Enigma with LSO forces still feels fresh and revealing, Sols incl Janet Baker; Hall Orch / John Barbirolli, Janet Baker is magnificent in this moving Gerontius, A starry reclamation for Enescus epic opera, Theatricality abounds in this Spanish journey, Faurs choral works reimagined for boys choir and organ, Intimate music-making from du Pr and Barenboim, A spectacular, heartfelt Vietnam memorial from Copland pupil Elliott Goldenthal, Leon Fleisher pf Cleveland Orch / George Szell, For many, the finest accounts of these works, Alert, alive and light-footed, Manze and the players clearly have a ball, Rich-toned recordings from the Musikverein, A fine example of the music of French electronic-school composer Pierre Henry, Sols incl Dietrich Fischer-Dieskau; Munich RO / Kurt Eichhorn, Brilliant playing in a set often unfairly overlooked, Sols incl Lucia Popp; VPO / Charles Mackerras, Mackerras is incomparable in this repertoire, A Sei Voci explore Josquin for the Nave label, Barry Tuckwell hn London Sinf / Oliver Knussen, Bewitching music from composer Oliver Knussen, Kodly was a great Jnos Starker admirer and the cellist here shows why, Korngolds film score turned into a tone-poem and evocatively conducted by John Mauceri, A fine display of intense, mesmeric contemplation, Hans-Peter Blochwitz ten Budapest Fest Orch / Ivn Fischer, Brilliantly alert, with a touch of Satanic wit, Beauty, power, excitement and lyrical singing, Brendel brings dignity and tension to Liszt, Bernstein in earth-shaking form with the Israel Phil, Kubelk, one of the first and among the finest Mahler advocates, Bernstein again, this time with the polish of the New York Philharmonic, Judith Raskin sop Cleveland Orch / George Szell, Deep feeling in one of Szells finest hours, A Bernstein pupil in dramatic vein and great sound, Bernstein had to persuade the Austrians to love Mahler, with fabulous results, Kubelk in the studio is great, live hes even better, A deserving Gramophone Record of the Year, Violent intensity and sweetness in Rattles Vienna Mahler Ninth, Passion and commitment in Rattles overpowering championing of Mahlers Tenth Symphony, Janet Baker mez Hall Orch / John Barbirolli, Includes the classic Rckert-Lieder recording, Mlkkis showcase for the young French composer, Messiaens own favourite recording of this work, Music of devotion and playing of simply stunning virtuosity, Sols incl Jos van Dam; Hall Orch / Kent Nagano, Messiaens only opera and his magnum opus, Ennio Morricones seminal music from the 1986 Jeremy Irons film, English Baroque Soloists / John Eliot Gardiner, Dramatic accounts of the last two symphonies, Impassioned advocacy of these popular concertos, Geza Anda, Clara Haskil pfs Philh Orch / Alceo Galliera, Dennis Brain hn Philh Orch / Herbert von Karajan, Flawless solo playing in the classic recording, Two great pianists, one great sonata captured at Snape Maltings, Sols incl Stephan Schreckenberger; Le Concert des Nations / Jordi Savall, Savalls intimate reading of Mozarts final work, Sols incl Elizabeth Schwarzkopf; Philh Orch / Karl Bhm, Bhms finest Mozart opera set, with a dream cast, Sols incl Rodney Gilfry; English Baroque Soloists / John Eliot Gardiner, An energetic interpretation, as compelling as any, Sols incl Joan Sutherland; Philh Orch / Carlo Maria Giulini, Giulinis Giovanni grand and theatrical, Sols incl Anne Sofie Von Otter; English Baroque Soloists / John Eliot Gardiner, Sols incl Werner Hollweg; Zrich Op / Nikolaus Harnoncourt, The 1781 version played for dramatic intensity, Sols incl Bryn Terfel; English Baroque Soloists / John Eliot Gardiner, Sols incl Simon Keenlyside; Concerto Kln / Ren Jacobs, Jacobss conducting is sparkling and mischievous, Sols incl Kiri te Kanawa; LPO / Georg Solti, A starry cast bristles with theatricality, Soltis best-loved Mozart recording, a Zauberflte to crown his career, USSR State SO, Russian Federation SO / Evgeny Svetlanov, Svetlanov rescued these symphonies from neglect, The bright young things genre-defying collection of miniatures, As unique as they are unpredictable, these studies are revelatory ear-openers, Every detail can be heard with razor-sharp clarity on this supreme disc, Estonian Philh Chbr Choir; Estonian Nat SO / Tnu Kaljuste, Exhilaration, piety and lamentation mingle, A powerful testament to the expression of faith, The blazing live performances that won Gergiev his job at the helm of the LSO, Martha Argerich pf Montreal SO / Charles Dutoit, Argerichs response is utterly personal and vivacious, Sviatoslav Richter pf Warsaw PO / Witold Rowicki, Sizzling account of a difficult-to-pin-down concerto, An exciting live recording from Amsterdam, featuring a young Anna Netrebko, Sols incl Luciano Pavarotti; BPO / Herbert von Karajan, A grand Bohme, with Pavarotti and Mirella Freni, Sols incl Maria Callas; La Scala, Milan / Victor de Sabata, One of the greatest achievements on record, A fine recording, immaculately delivered, and boasting some exceptional soloists, Sols incl Sarah Connolly; OAE / Elizabeth Kenny, Steven Devine, Connollys exquisitely sung Dido leads a great cast, Glorious playing and wonderful, expansive conducting from a true podium master, Zoltan Kocsis pf San Francisco SO / Edo de Waart, Fast, light, incisive Kocsis is on top form, Phenomenal virtuosity from Kissin with Ozawa, The first virtuoso pianist-composer of the recording era: these discs remain fascinating, Robert Shaw Festival Singers / Robert Shaw, Shaw coaxes great warmth from his singers, A great Baroque conductor meets a great composer, A compelling work that beautifully captures the Finnish composers evocative sound world, Samson Franois pf Paris Conservatoire Orch / Andr Cluytens, Franois plays with tremendous vitality and spirit. Despite some chaos and confusion, it seemed that 300 years of oppressive Romanov rule would at last be replaced by some sort of constitutional democracy, an outcome that the composer optimistically embraced. Rgine Crespin at her idiosyncratic, seductive best, Reichs response to the tragic human cost of war is authoritatively performed, An equally moving response, the Smith players recording is paired with another minimalist classic, A conceptual exercise that created a work of surprising musical beauty using mobile ringtones, Alfred Cortot pf Paris Conservatoire Orch / Charles Munch, Delicate poetry and an astonishing conclusion, Salonens celebration of architecture and nature incorporating Frank Gehrys voice, Salzburg Camerata; Salzburg Mozarteum Orch / Sandor Vgh, Kleibers laser-like concentration brought to bear on Schuberts Eighth, Showing why Mravinsky is one of the greats, An archive alternative to the famous DG recording, Furtwngler pushes forwards with excitement but also with an awareness of the works architecture, Orrea Pernel, Jacob Krachmalnick vns Karen Tuttle va Pablo Casals, Madeleine Foley vcs, Clifford Curzon pf Members of the Vienna Octet, Excellent balance between strings and piano, super-sensitive playing from Gilels, An individual reading from Hephzibah Menuhin, A splendidly clear yet atmospheric recording, A fascinating document of a live Britten recording, Two pianists reveal the musics innermost secrets, A legendary partnership is profoundly satisfying, Dietrich Fischer-Dieskau bar Jrg Demus pf, Fischer-Dieskaus third recording of Winterreise, Dietrich Fischer-Dieskau bar Gerald Moore pf, A powerful portrayal from the great baritone, Gottfried Hornik narr VPO / Claudio Abbado, Abbado harnesses the visceral impact of this work, A winning combination of scholarship and insight, Szells typically classical approach produces a full, natural orchestral sound, Dietrich Fischer-Dieskau bar Christoph Eschenbach pf, Fischer-Dieskaus experience shows in every bar, Bostridge interprets all these songs as much through the mind of the poet as the composer, Fischer-Dieskau is the master of this repertoire, Sofronitsky was so associated with these works, he was even married to Scriabins daughter, The Sixteen shed light on a neglected genius, Mravinsky premiered six Shostakovich symphonies and that frisson is conveyed here, Sanderling highlights Shostakovichs dark intent, David Oistrakh vn Philadelphia Orch / Eugene Ormandy, NYPO / Dimitri Mitropoulos, Another intense Oistrakh Shostakovich No 1, The Borodins no-nonsense, uninhibited approach suits this diverse work perfectly, Daviss second Sibelius cycle yielded this utterly convincing and natural recording, Kleiber picked his operas carefully and this is a flamboyant treat, One of Karajans signature, and most refulgent, BPO recordings, Elizabeth Schwarzkopf sop Berlin Rad SO / George Szell, For some, this recording will never be surpassed, Gundula Janowitz sop BPO / Herbert von Karajan, Strong competition for the Schwarzkopf classic, Sols incl Gwyneth Jones; Bavarian Staatsoper Orch / Carlos Kleiber, An iconic Rosenkavalier from Carlos Kleiber, Sols incl Rgine Crespin; VPO / Georg Solti, Solti knew Strauss and stamps his authority here, Lively, stylish and individual, Ansermets Stravinsky was always an event, Unbelievably intense power comes from Rattles attention to the tiniest details, Precision and seismic power from Boulez and the Cleveland Orchestra, Gergiev makes you listen anew and finds elemental fury, This album enshrines perhaps the finest Spem in alium on record, Superbly gripping Tchaikovsky from Markevitch and his London forces, Slavonically intense, sometimes at breakneck speeds these are old favourites, The Vienna strings are exceptional for Gergievs full-bodied Pathtique, Emil Gilels pf State Academic SO / Evgeny Svetlanov, A star pairing to reinvigorate a great warhorse, Discover a brilliant but often-overlooked cellist, A marvellously consistent recording of this tricky but volcanic opera, Impressive performances of an Estonian composer, No one conjured the terror of the heavens in this work like Toscanini, Sols incl Elisabeth Schwarzkopf; Philharmonic Orch / Carlo Maria Giulini, A profoundly spiritual reading from Giulini, Sols incl Jos Carreras, Mirella Freni; BPO / Herbert von Karajan, The four-act version, with Karajan on fire, Pavarotti enjoys himself in Ponnelles sumptuous film, but Ingvar Wixell is a blistering Rigoletto, Sols incl Ileana Cotrubas, Plcido Domingo; Bavarian St Op / Carlos Kleiber, Textual cuts are the only blot on a moving Traviata, A benchmark recording of the Victoria Requiem from Peter Phillipss Tallis Scholars, Enrico Onofri vn Il Giardino Armonico / Paolo Grazzi, Joseph Silverstein vn Boston SO / Seiji Ozawa, One of the finest versions of this perennial work, Sols incl Domingo, Fischer-Dieskau, Deutsche Oper Orch / Eugen Jochum, Fischer-Dieskau is humane and moving as Hans Sachs, Staatsakapelle Dresden / Herbert von Karajan, Karajan coaxes glorious sounds from his players, Sols incl Peter Hoffmann, Dunja Vejzovic, Kurt Moll; BPO / Herbert von Karajan, One of the great archive finds of recent years, A spectacular and dramatic interpretation, all Ring-lovers will want this in their collections, Sols incl Birgit Nilsson; Bayreuth Fest Orch / Karl Bhm, Nilsson in incandescent form, live at Bayreuth, Sleek conducting underpins a seductive Tristan, Jascha Heifetz vn LSO / Sir John Barbirolli, Wieniawski-champion Heifetz presents an ardent case, Elisabeth Schwarzkopf sop Dietrich Fischer-Dieskau bar Gerald Moore pf, Features both singers at the peaks of their career, Committed performances from Tamayos Luxembourg forces, Ysae playing his own recordings a real collectors item, A penetrating look into the heart of this composer, Sols; Holland Symphonia / Bernhard Kontarsky, A lovely collection celebrating the brilliant Heifetz protg, beautifully recorded, The great cellist meets Bobby McFerrin in this fabulously unique album, Hard-to-categorise improvisations by the German pianist, The unique Maria Callas caught at her most histrionically impressive, Purcell Consort of Voices / Grayston Burgess, An uplifting example of the Consort at their best, A rich anthology presented with soul-stirring animation, Superb New Years Day concerts from Vienna under Carlos Kleiber, Ancient chant meets jazz-style improvisation in this remarkable disc, A wonderfully compiled and performed medieval music survey, Wit and imaginative richness from the inter-war years. The American conductor talks to Katherine about his recordings of the complete Prokofiev symphonies with the Bergen Philharmonic Orchestra, released as a box-set tomorrow on BIS. Gramophone is part of Prokofiev made several visits to the USSR; his works were performed, new pieces were commissioned, and he was promised the freedom to tour internationally should he return. Still, it's a fine account. For the most part, however, musical life continued undisturbed, and Prokofiev composed, practiced and went to concerts and rehearsals as before. None of the four in my comparisons are of that persuasion, but the key is to make the last four notes clear enough to hear their articulation while retaining a deliberate speed by transforming the conclusion into a juggernaut. Sergey Sergeyevich Prokofiev Symphony No. 40 combines elegance and unease, its dark opening yielding to calmer waters, only to return to despair. The answer lies in how composers quickly developed a habit in their symphonies of pitting one theme against another, weighing the relative merits of each, then pulling their conclusions together. But where a performer incorporates those experiences into an interpretation, we have to write about them, though there are plenty of verbally eloquent musicians around Alfred Brendel, for example. A century on, the progressive despoliation of the planet is sharply evident, and the relatively benign relationship in the Third between human beings and their environment has drastically deteriorated. The common ground that musical performers and critics share concerns the basic essentials of interpretative genius, not least a discernible musical personality, respect for rather than slavish adherence to the score, a musical sense of timing, a feeling for period and appropriate style and, more vital than anything, that indefinable quality that signals a symbiotic rapport between the performer and the composer. Create your perfect season for as little as $195.
Native American Features Nose, What Happened To Beth Presswood, Michael Anders Iconiq Net Worth, Delacey Net Worth, Articles B